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<channel>
	<title>Lucy Nordberg</title>
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	<link>https://lucynordberg.com</link>
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	<title>Lucy Nordberg</title>
	<link>https://lucynordberg.com</link>
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		<title>Tickets on sale for comedy musical Get Real: The Return</title>
		<link>https://lucynordberg.com/tickets-on-sale-for-comedy-musical-get-real-the-return/</link>
					<comments>https://lucynordberg.com/tickets-on-sale-for-comedy-musical-get-real-the-return/#respond</comments>
		
		<dc:creator><![CDATA[Lucy Nordberg]]></dc:creator>
		<pubDate>Tue, 21 Apr 2026 12:39:24 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[News Page]]></category>
		<category><![CDATA[Theatre News]]></category>
		<guid isPermaLink="false">https://lucynordberg.com/?p=1095</guid>

					<description><![CDATA[Tickets are on sale at the Brighton Fringe website here and also here for Get Real: The Return, the latest in a series of comedy musicals I’ve written, set to be performed at the Brighton Fringe Festival by the fantastic LGBTQ+ theatre group Out Cast from 30th April to 2nd May 2026. The last remaining [&#8230;]]]></description>
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<p>Tickets are on sale at the Brighton Fringe website <a href="https://www.brightonfringe.org/events/get-real-the-return/" target="_blank" rel="noopener">here</a> and also <a href="https://www.tickettailor.com/events/outcastbrighton" target="_blank" rel="noopener">here</a> for Get Real: The Return, the latest in a series of comedy musicals I’ve written, set to be performed at the Brighton Fringe Festival by the fantastic LGBTQ+ theatre group Out Cast from 30th April to 2nd May 2026.</p>



<p>The last remaining members of international pop sensation Get Real suffer a final humiliation at the dilapidated Funworld Holiday Park, and it’s the final straw for founding members Chaz and KK. It’s time for the mother of all comebacks, a musical! Follow the group as they reform, overcome their past differences, and reclaim the glory of stardom. All references to 90s pop bands are purely circumstantial&#8230;</p>



<p>Get Real: The Return! features a talented cast of 9, with direction and choreography by Amy Bowyer. and musical direction by Simon Gray. The production features songs old and new, with music for the original lyrics written by Dave Mantle, who is also technical director.</p>



<p>Out Cast’s 2025 Brighton Fringe show, Eurovision: NOTBIG Decides!, was a Bespoke Black Books pick of the fringe:<br>“A riot of original songs, comedic chaos and exaggerated characters. Even casual Eurovision fans will be swept up in the sheer joy of it all.”</p>



<p>Audience feedback the 2025 show:<br>“It was really apparent what the theme of the beautiful writing was, and it was incredibly moving. I cried at the end of the first half, and I stood up and danced at the end of the second….funny and fulfilling.”<br>“So many great moments, too many to pick a favourite, everyone shone. Brilliant!&#8221;</p>



<p>You can find out more about the last year’s Fringe show <a href="https://lucynordberg.com/eurovision-notbig-decides/">here</a></p>
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		<title>Brutality of Fact video launched</title>
		<link>https://lucynordberg.com/brutality-of-fact-video-launched/</link>
					<comments>https://lucynordberg.com/brutality-of-fact-video-launched/#respond</comments>
		
		<dc:creator><![CDATA[Lucy Nordberg]]></dc:creator>
		<pubDate>Thu, 18 Dec 2025 14:52:53 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[News Page]]></category>
		<category><![CDATA[Film News]]></category>
		<guid isPermaLink="false">https://lucynordberg.com/?p=1081</guid>

					<description><![CDATA[I've completed producing the music video The Brutality of Fact, based on the work of Francis Bacon, for the band ART-O-MATIC.]]></description>
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<p>I&#8217;ve completed producing the music video <em>The Brutality of Fact</em>, based on the work of Francis Bacon, for the band ART-O-MATIC. Collaborating with the talented editor <a href="https://deborahespect680640366.wordpress.com/" target="_blank" rel="noopener">Deborah Espect</a>, this was an exciting project to work on for an arts fan. Many thanks to the Estate of Francis Bacon for permission to use the images of the paintings alongside photographs of Bacon&#8217;s studio, as well as their careful research for the reference photos Bacon used for his paintings. </p>
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<p>You can view the video at the link below:</p>
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<p><a href="https://www.youtube.com/watch?v=Djth7tSXrGY" target="_blank" rel="noopener">The Brutality Of Fact</a></p>
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<p>ART-O-MATIC was formed by David G. A. Stephenson (also of The Groovy Arts Club Band) with his collaborator of many years, Mike J. Gosling, to celebrate art, artists, architecture, photography, and design philosophy. </p>
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<p>The Groovy Arts Club band also have a strong arts connection, with a name inspired by London gallerist Robert Fraser (1937-1986),  known as &#8216;Groovy Bob&#8217;. In 2019, David co-curated <a href="https://gazelliarthouse.com/exhibitions/20-robert-frasers-groovy-arts-club-band-group-show/" target="_blank" rel="noopener">an exhibition at Gazelli Art House </a>featuring work by artists Fraser represented, including Clive Barker, Peter Blake, Derek Boshier, Brian Clarke, Jim Dine, Jean Dubuffet, Richard Hamilton, Keith Haring, Jann Haworth, Bridget Riley, Ed Ruscha and Colin Self. The band have an <a href="https://wegottickets.com/event/681781" target="_blank" rel="noopener">upcoming gig at the Pipline</a> in Brighton on 24th January, as part of their series of Groovy Arts Club nights.</p>
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<p>Meanwhile, ART-O-MATIC are planning a gig to celebrate the launch of The Brutality of Fact video. We&#8217;re currently developing ideas for videos for further songs in the new year.</p>
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		<item>
		<title>Tickets on sale for Space Camp Fear</title>
		<link>https://lucynordberg.com/tickets-on-sale-for-space-camp-fear/</link>
					<comments>https://lucynordberg.com/tickets-on-sale-for-space-camp-fear/#respond</comments>
		
		<dc:creator><![CDATA[Lucy Nordberg]]></dc:creator>
		<pubDate>Thu, 09 Oct 2025 15:18:41 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Theatre News]]></category>
		<guid isPermaLink="false">https://lucynordberg.com/?p=1032</guid>

					<description><![CDATA[Tickets are on sale for Space Camp Fear, the latest in a series of comedy musicals I’ve written, set to be performed in Brighton by the fantastic LGBTQ+ theatre group Out Cast from 30th October to 1st November 2025. ]]></description>
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<p>Tickets are on sale at <a href="https://www.tickettailor.com/events/outcastbrighton" target="_blank" rel="noopener">this link</a> for Space Camp Fear, the latest in a series of comedy musicals I’ve written, set to be performed in Brighton by the fantastic LGBTQ+ theatre group Out Cast from 30th October to 1st November 2025 for Halloween. While last year’s riotous sell-out Halloween production, Camp Fear, was a nod to the past, now we head to the future, satirising certain current events along the way.<br><br>You, the audience, our latest Cadets, gather at Space Camp to learn a cautionary tale about how humans first explored space, and how badly they once behaved&#8230;<br><br>A long, long time ago, in a galaxy far, far away, the egomaniac billionaire Pecan Husk sets up another distant space colony. His new crew sense something strange is going on, but what is his secret? As his actions unleash alien terrors, will they be able to stop him?<br><br>Audience feedback for Out Cast&#8217;s previous shows, with the same creative team:<br><br>&#8220;So many great moments &#8211; too many to pick a favourite, everyone shone. Brilliant, brilliant, brilliant! Glad it&#8217;s a sell-out show!&#8221;</p>



<p>“It was really apparent what the theme of the beautiful writing was, and it was incredibly moving. I cried at the end of the first half, and I stood up and danced at the end of the second….funny and fulfilling.&#8221;<br><br>&#8220;It should be on every year so we can learn the words and sing along. You&#8217;ve all got great comic timing. I&#8217;m so glad we got to see it, my face hurt from smiling so much! Encore!&#8221;<br><br>Review by Bespoke Black Book for Out Cast&#8217;s Brighton Fringe show, Eurovision: NOTBIG Decides! <br><br>&#8220;A riot of original songs, comedic chaos and exaggerated characters. Even casual Eurovision fans will be swept up in the sheer joy of it all.&#8221;<br><br>You can find out more about the last year&#8217;s Halloween show <a href="https://lucynordberg.com/a-sell-out-musical-for-halloween/">here</a></p>
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		<item>
		<title>King Arthur</title>
		<link>https://lucynordberg.com/king-arthur/</link>
					<comments>https://lucynordberg.com/king-arthur/#respond</comments>
		
		<dc:creator><![CDATA[Lucy Nordberg]]></dc:creator>
		<pubDate>Fri, 13 Jun 2025 10:13:00 +0000</pubDate>
				<category><![CDATA[King Arthur]]></category>
		<guid isPermaLink="false">https://lucynordberg.com/?p=562</guid>

					<description><![CDATA[Written in a mix of accessible modern blank verse and prose, King Arthur moulds the Shakespearean form for our time. ]]></description>
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				<div class="et_pb_text_inner"><h2>The play</h2>
<p>Written in a mix of accessible modern blank verse and prose, King Arthur moulds the Shakespearean form for our time. Frustrated by outmoded customs that limit himself and his people both personally and politically, the King tries to impose democracy throughout his Kingdom. This bold decision begins a chain of events with repercussions for his wife Guinevere, his son Mordred, and his closest allies – and it will seal the fate of all his people.</p>
<blockquote>
<p>Spectacular modern take on a legend<br /><strong>Edinburgh Evening News</strong></p>
</blockquote>
<blockquote>
<p>The debates raised by this bold piece of theatre will linger with you long after the play has ended<br /><strong>The List</strong></p>
</blockquote>
<blockquote>
<p>Politicians should be made to see this play<br /><strong>Richard Demarco CBE, Demarco European Art Foundation</strong></p>
</blockquote></div>
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				<div class="et_pb_text_inner"><h2>Theatre Performance</h2></div>
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				<div class="et_pb_text_inner"><h2>The productions</h2>
<p>The play has had two theatrical productions so far: one I produced in collaboration with Edinburgh-based theatre company Siege Perilous at the Edinburgh Festival, and another by Siege Perilous in association with the Demarco European Art Foundation, as a promenade performance in the grounds of Craigcook Castle. Over 30 actors – ranging in experience from established West End professionals to promising newcomers – have taken part in the productions.</p>
<blockquote>
<p>Full of tragic betrayal, raw emotion and slick performances…a traditional play reinvented with a topical twist.<br /><strong>Laura Webb, Three Weeks</strong></p>
</blockquote>
<blockquote>
<p>An inspired piece of writing…a progressive and interesting take on classic tale…enjoy.<br /><strong>Barry Gordon, Edinburgh Evening News</strong></p>
</blockquote>
<p>My use of blank verse in a modern work has led to an involvement in education, as well as generating academic interest. Read more <a href="/education/">here</a>.</p></div>
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<p>Since medieval times the stories about King Arthur have been the most well-known of all English myths. Rewriting them in blank verse is a temptingly traditional way to transform familiar stories into modern drama. All too easily, it can become regrettably ponderous, a pseudo-Shakespearean pattern of speech. That temptation is avoided beautifully and effortlessly throughout in King Arthur. In this modernised version, we are made to adapt our expectations from what we recall of the legend. Instead we focus on the modernity of the problem, where Arthur proposes to democratise his court. The twists this version of the myth sets out contrast intriguingly with our usual conclusions about the Camelot story. As a modern dramatic recasting of one of the oldest and most popular of British legends, it makes the ancient myth thoroughly modern.<br /><strong>Professor Andrew Gurr, chief academic advisor to the project to rebuild the Globe Theatre in London, and best known for his books on Shakespeare and his contemporaries.</strong></p>
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		<title>When All the Crowds Have Gone</title>
		<link>https://lucynordberg.com/when-all-the-crowds-have-gone/</link>
					<comments>https://lucynordberg.com/when-all-the-crowds-have-gone/#respond</comments>
		
		<dc:creator><![CDATA[Lucy Nordberg]]></dc:creator>
		<pubDate>Thu, 12 Jun 2025 12:36:00 +0000</pubDate>
				<category><![CDATA[When All the Crowds Have Gone]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Immersive]]></category>
		<guid isPermaLink="false">https://lucynordberg.com/?p=614</guid>

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				<div class="et_pb_text_inner"><h2>The play</h2>
<p>At the height of his success, moving into his new mansion with his new wife, media tycoon John is dwelling on his past and how he will be judged by future generations. In an attempt to control his legacy, he persuades his younger brother to write his biography. But when John revives his wife’s career by embroiling his TV presenter neighbour in a scandal, long-buried tensions between the brothers threaten to topple his empire. Can John keep control of the players in his game?</p>
<blockquote>
<p>The more I reflect on this play, the more I’m convinced it brings a fresh perspective to the human dilemma.<br /><strong>Fringe Guru</strong></p>
</blockquote>
<p>First performed at Brighton Fringe Festival, where it was well-received by audiences and critics, the play is about storytelling – the high-value stories that generate clicks and sell papers, and the ones we tell ourselves to make sense of our lives. Featuring a film-within-a-play, and with characters involved in biography, film, acting, social media, TV shows, newspapers, and even poetry, the play shows that although the media industry gets most of the blame for distorting facts, every method of presenting a story to an audience can involve manipulation or lead to misunderstanding.</p></div>
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				<div class="et_pb_text_inner"><h2>360 Immersive Film</h2>
<p>The play works on stage in front of a live audience. But there is another possible format for this story, that fully delves into its theme and allows the audience into the narrative and become aware of their effect on it. Filming the story as an immersive 360 film was an intriguing choice as a medium with the potential to add another layer and draw people further in.</p>
<p>In collaboration with Fusebox – a hub for digital innovators and creative entrepreneurs in Brighton – we filmed the first section of the play with a 360 camera. I experimented with new methods of writing for this immersive medium, adding a framing device to the plot while keeping the central part of play intact.</p>
<p>The experienced actors – Justin Hayward, John Locke, Jenny Knight and Kirsten Callaghan &#8211; were keen to investigate the exciting possibilities of 360 film, and adapted their performances style to suit. Chris Chowen and Chandler Dagg from Fusebox helped to capture and edit the footage.</p>
<p>The viewer wears a VR helmet to watch the edited scene, with the ability to experience everything going on around them. Although they are still essentially an observer, at times they are spoken to by the actors, and gradually come to realise that they are in fact a character central to the action of the story and its outcome.</p>
<p>The play can continue to be produced as it is, on stage, while there are possibilities for a full immersive 360 film version, viewed either as a full film or with each scene as a separate episode. </p></div>
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		<title>Eurovision: NOTBIG Decides!</title>
		<link>https://lucynordberg.com/eurovision-notbig-decides/</link>
					<comments>https://lucynordberg.com/eurovision-notbig-decides/#respond</comments>
		
		<dc:creator><![CDATA[Lucy Nordberg]]></dc:creator>
		<pubDate>Wed, 11 Jun 2025 13:13:00 +0000</pubDate>
				<category><![CDATA[Eurovision: NOTBIG Decides]]></category>
		<category><![CDATA[Theatre]]></category>
		<guid isPermaLink="false">https://lucynordberg.com/?p=1039</guid>

					<description><![CDATA[My comedy musical script, Eurovision: NOTBIG Decides! debuted at the Brighton Festival Fringe 2025 in a production by LGBTQ+ theatre company Out Cast, who created a riotous sell-out show. With this play, I wanted to create something that gives a nod to what’s going on in the world right now, but with a positive message [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>My  comedy musical script, Eurovision: NOTBIG Decides! debuted at the Brighton Festival Fringe 2025 in a production by LGBTQ+ theatre company Out Cast, who created a riotous sell-out show. With this play, I wanted to create something that gives a nod to what’s going on in the world right now, but with a positive message imparted through laughter.<br><br>The president of a tiny nation, the Northern Overseas Territory of Biglandia Island Group (NOTBIG for short), is fed up with being patronised on the world stage. He wants his country to be great again – or great in the first place. What better way to grab the attention of millions than entering the Eurovision Song Contest?</p>



<p>But when the island&#8217;s entire population is conscripted into the official Musical Effort to create the perfect song, not everything goes according to plan…<br><br>The full production by Out Cast featured a mix of old favourites and new songs, including the eccentric NOTBIG national anthem, all expertly overseen by musical director Simon Gray. Simon has a distinguished career in opera and musical theatre, on national tours, in the West End, regional theatres and in major concert houses in the UK and worldwide.<br><br>Experienced musician and technical director Dave Mantle wrote the music for the original songs. He and film director Justin Spray also created short films that were projected as part of the production.<br><br>During the performances, the audience were treated as honorary citizens of NOTBIG. With voting made possible by QR codes, they had the chance to choose the act NOTBIG sent through to Eurovision. Audience response to the show was very positive, with feedback including:<br><br>“It was fantastic &#8211; the singing, the acting, the humour. Everyone should come and watch the show.”<br><br>“It was really apparent what the theme of the beautiful writing was, and it was incredibly moving. I cried at the end of the first half, and I stood up and danced at the end of the second….funny and fulfilling.&#8221;<br><br></p>



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		<title>Blank Canvas selected as quarter-finalist in ScreenCraft Film Fund</title>
		<link>https://lucynordberg.com/blank-canvas-selected-as-quarter-finalist-in-screencraft-film-fund/</link>
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		<dc:creator><![CDATA[Lucy Nordberg]]></dc:creator>
		<pubDate>Mon, 07 Apr 2025 16:05:05 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[News Page]]></category>
		<category><![CDATA[Film News]]></category>
		<category><![CDATA[Awards]]></category>
		<guid isPermaLink="false">https://lucynordberg.com/?p=1024</guid>

					<description><![CDATA[I was excited to find out that Blank Canvas, my short film script containing dialogue in verse – along with its accompanying production plan &#8211; was selected as a quarter-finalist in the ScreenCraft Film Fund Spring 2025. This year’s fund had 1100 submissions. ScreenCraft is an organisation that offers “production grants to talented creators for [&#8230;]]]></description>
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<p>I was excited to find out that Blank Canvas, my short film script containing dialogue in verse – along with its accompanying production plan &#8211; was selected as a quarter-finalist in the ScreenCraft Film Fund Spring 2025. This year’s fund had 1100 submissions. ScreenCraft is an organisation that offers “production grants to talented creators for narrative features, short films, TV pilot series scripts, and documentaries that display originality, vision &amp; exceptional potential”. Its film fund is a programme designed to help realise filmmakers’ ideas and connect them with companies looking for new stories to develop.</p>



<p>I received some great feedback on the script, which was especially encouraging as I know that verse dialogue is unusual as part of a film script. You can read more about Blank Canvas <a href="https://lucynordberg.com/blank-canvas/">here</a></p>
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		<title>Comedy musical ‘Eurovision: NOTBIG Decides’ to be performed at Brighton Fringe</title>
		<link>https://lucynordberg.com/comedy-musical-eurovision-notbig-decides-to-be-performed-at-brighton-fringe/</link>
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		<dc:creator><![CDATA[Lucy Nordberg]]></dc:creator>
		<pubDate>Fri, 04 Apr 2025 16:18:02 +0000</pubDate>
				<category><![CDATA[News Page]]></category>
		<category><![CDATA[Theatre News]]></category>
		<category><![CDATA[Blog]]></category>
		<guid isPermaLink="false">https://lucynordberg.com/?p=1019</guid>

					<description><![CDATA[My comedy musical 'Eurovision: NOTBIG Decides' will debut at the Brighton Festival Fringe, featuring a mix of new songs and fan favourites.]]></description>
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<p>I’ve written a comedy musical, ‘Eurovision: NOTBIG Decides’, which will be performed by new Brighton LGBT+ musical theatre OutCast for the Brighton Fringe from 23-25th May at St.Mary’s Church Hall in Kemptown at 7.30pm. Tickets are available <a href="https://www.brightonfringe.org/events/eurovision-n-o-t-b-i-g-decides/" target="_blank" rel="noopener">here</a></p>



<p>Featuring a mix of original songs and fan favourites, the musical follows the fortunes of a tiny island country, the Northern Overseas Territory of Biglandia Island Group (NOTBIG) as it attempts to enter Eurovision. Having tried several failed schemes to make NOTBIG great again (or great in the first place!), the president decides that entering &#8211; and hopefully winning &#8211; the Eurovision Song Contest will help the country make its mark on the international stage.</p>



<p>The whole island becomes devoted to a nationwide musical effort to write their winning entry – and the audience will help them decide the act they should send though to the contest. But not everything goes according to plan…</p>



<p>I last wrote a script performed by Out Cast for their sell-out Halloween musical, <a href="https://lucynordberg.com/a-sell-out-musical-for-halloween/">Camp Fear</a>. For this latest show, Simon Gray returns as musical director, while Dave Mantle has written the music for the original songs.</p>
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		<title>Script given reading for short film featuring dramatic verse</title>
		<link>https://lucynordberg.com/script-for-new-verse-drama-short-film-given-reading/</link>
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		<dc:creator><![CDATA[Lucy Nordberg]]></dc:creator>
		<pubDate>Fri, 08 Nov 2024 10:29:06 +0000</pubDate>
				<category><![CDATA[News Page]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Film News]]></category>
		<guid isPermaLink="false">https://lucynordberg.com/?p=991</guid>

					<description><![CDATA[As my next short film Blank Canvas goes into pre-production, here’s a look back at the reading of the script at Rising Phoenix, an arts collective holding a monthly new writing night in the atmospheric Net Loft venue at Brighton Fishing Museum. I knew the founder of Rising Phoenix, actor Isabella McCarthy Sommerville, from her role [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>As my next short film Blank Canvas goes into pre-production, here’s a look back at the reading of the script at Rising Phoenix, an arts collective holding a monthly new writing night in the atmospheric Net Loft venue at Brighton Fishing Museum. I knew the founder of Rising Phoenix, actor Isabella McCarthy Sommerville, from her role in my short film <a href="https://lucynordberg.com/the-mirror/"><em>The Mirror</em></a>, which was part of my ongoing practice to bring modern dramatic verse to screen and stage. Blank Canvas builds on The Mirror and Time and Tide to a present a full narrative drama using verse in certain sections of dialogue. The rehearsed reading to a packed audience, with written feedback, was a great way to assess the impact of the verse and how best to incorporate it into the interactions between the characters. You can read more about the film <em><a href="https://lucynordberg.com/blank-canvas/">here</a></em></p>
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		<title>A sell-out musical for Halloween</title>
		<link>https://lucynordberg.com/a-sell-out-musical-for-halloween/</link>
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		<dc:creator><![CDATA[Lucy Nordberg]]></dc:creator>
		<pubDate>Sun, 03 Nov 2024 11:19:51 +0000</pubDate>
				<category><![CDATA[News Page]]></category>
		<category><![CDATA[Theatre News]]></category>
		<category><![CDATA[Blog]]></category>
		<guid isPermaLink="false">https://lucynordberg.com/?p=1003</guid>

					<description><![CDATA[I had great fun writing Camp Fear – a light-hearted Halloween musical &#8211; for exciting new theatre company Out Cast. Founded by Elliot Toms, Out Cast has a mission to create a safe space to access the world of theatre in all its forms for the LGBTQ+ community and allies across Sussex. As the company’s [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p>I had great fun writing Camp Fear – a light-hearted Halloween musical &#8211; for exciting new theatre company Out Cast. Founded by Elliot Toms, Out Cast has a mission to create a safe space to access the world of theatre in all its forms for the LGBTQ+ community and allies across Sussex. As the company’s first production, Camp Fear was a sell out across both nights. The story four friends who might seem familiar (intrepid investigators with a van and a dog!) who agree to go camping on Halloween &#8211; but one of them is hiding a dark secret, and they soon meet a group of strangers who are not what they seem.</p>



<p>In the words of Elliot Toms: “More that just a humorous origin story of a certain famous cartoon franchise, Camp Fear is a take of confronting our inner demons, conquering hate with love, and embracing differences.”</p>



<p>The cast featured professional actors, those returning to acting, and singers acting for the first time. Musical direction was by Simon Gray, who has a career in opera and musical theatre, on national tours, in the West End, regional theatres and in major concert houses in the UK and worldwide. Katie Mayfield, director and choreographer, has worked both locally in Sussex and further afield on productions including Jack and the Beanstalk and Sleeping Beauty for Ropetackle Arts.</p>



<p>The whole team was pleased to receive great audience feedback, which was invited after the show to inform the company&#8217;s future productions.</p>



<p>“<em>Super inclusive! Felt joyful.</em>”</p>



<p>“<em>Really moving and funny. Had a tear in my eye.</em>”</p>



<p>“<em>The right amount of silly!</em>”</p>



<p>“<em>So many great moments &#8211; too many to pick a favourite, everyone shone at some point… Brilliant, brilliant, brilliant! Glad it’s a sell-out show.</em>”</p>



<p><em>&#8220;My face hurt from smiling so much and it’s left me in such a good mood. Encore!</em>”</p>
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