Time and Tide has been shown at many festivals around the world, and won awards including Best UK Short Film at the London Independent Film Festival and Best International Short Film at the Idyllwild International Festival of Cinema. 

The film is part of my ongoing practice to use poetry in modern work, and its success has led me to consider the potential for the wider use of dramatic verse in film. 

Link to interview with me about the film (video)

Link to film itself

You can read more about the films that make up the trilogy in the press pack that was sent out to festivals here, or at the links below.

The Arena

The Last Lighthouse Keeper

Homecoming

Samuel West plays an actor returning to the theatre, as he tells the story of Odysseus, who found that even after the Trojan war and an epic journey home across the sea, his trials were far from over. After the theatre lay dormant during coronavirus restrictions, the actor walks through the working areas backstage, using Odysseus’ journey to express the frustration at the deserted theatre and the struggles faced in life as we try to start again after a crisis. As he remembers the audience that once filled the empty seats, an epic reveal across the auditorium coincides with a change in perspective that gives him hope for the future.

The film is also about the central character’s homecoming to his world as an actor and the theatres that lay dormant for so long during the pandemic lockdowns of 2020 and 2021. It shows the change in perception that has occurred through this time of crisis, and the process by which we find the motivation to start again.

Samuel West was ideal casting as besides his extensive experience in stage and screen, he set up the poetry-reading initiative – Pandemic Poems – just ahead of the official UK Coronavirus lock-down in 2020. The initiative sought to give a time for reflection and hope in times of uncertainty.

Samuel stated: “The Playhouse, the palace of fantasy, is paradoxically often the best place for us to hear the truth nowadays. During the pandemic, every empty theatre seems to say to me ‘Here’s what you could have won.’ At a time when my addiction to the live had no fix through plays, gigs or football, it was so good to get onto the stage of the Theatre Royal, Brighton (which I know and love well) for a very personal Homecoming. I’m very grateful to Moving Pictures Theatre for the chance.”

Homecoming is also part of the From Home project first presented at Brighton Digital Festival, which explores the wider meaning of home. Material for other aspects of the project include videos collected from all over the world – from professional short films through to thoughts spoken to camera phone – and presented in an immersive VR environment. Read more about From Home here.

Behind the Scenes

One of the oldest theatres in the country, The Theatre Royal in Brighton opened in 1806. Homecoming offered the obvious opportunity to use not only the stage, but also the areas behind the scenes and under the stage that are less often seen by the audience.

Filmed entirely during lockdown, the production faced challenges but also offered an opportunity to reopen the stage for performance. The theatre’s general manager, John Baldock, and technical manager, Tom Hitchins, were present during filming. Two of the film’s production assistants, Isabella McCarthy Sommerville and Rosana Arbini, both work at the Theatre Royal – as well as being actors – and were pleased to have this opportunity to return to the stage during its closure, albeit in a different role. The theatre team’s knowledge of the venue helped the film crew get the most out of this atmospheric space.