In much of my writing, I like to champion dramatic verse. Allowing characters to speak as poets helps explore the human situation in a way that encourages a deep understanding and connection. We still return to the classics, but by using this form in new work, we can apply it directly to the problems of our time, rather than adapting historic plays to do so.

My use of verse has led to becoming involved in education, including presenting a paper at the Cambridge University Shakespeare Conference – where one of my scripts was workshopped to demonstrate modern blank verse. I’ve also collaborated on a cross-cultural project between two leading universities in China and Leeds concerning Shakespeare and Chinese playwright Tang Xianzu.

Looking to future storytelling methods, I’ve created 360° immersive films and VR experiences, which draw on techniques from both film and theatre.

Experimenting with form is my main mission, but I like to be diverted along the way with new commissions and collaborations – from comedy to music videos. I also work as a researcher and journalist. I’m always excited to start a project and see where it may lead.